Indian Camp and Soldiers Home Young Women as Objects Essay -- essays p

Indian Camp and Soldiers plaza Young Women as Objects In Ernest Hemingways short stories Indian Camp and Soldiers Home, young women ar treated as objects whose purpose is either reproduction or pleasure. They do non and cannot participate to a large degree in the masculine sphere of experience, and when they have served their purpose, they ar situate a fount. They do not have a voice in the narrative, and they arrange complications in life that must be overcome in unity way or another. While this portrayal of young women is hardly comical to Hemingway, the author uses it as a device to probe the male brain more deeply. *Paragraph bang up*Indian Camp opens with an all-male convoy of rowboats purport across the lake, with young Nick, his doctor father and his Uncle George off to see an Indian lady who is very sick. As they disembark on the other side and follow a young Indian bearing a lantern to the campground where childbirth is taking place, the mens guiding int erest is not in the mother-to-be as a person, but in her physiology as a outcome study. When they find her screaming in bed, Nicks father dehumanizes her by saying Her screams are not important. I dont hear them because they are not important. *Paragraph Break*Bitten by the young woman during labor pangs, Uncle George reacts instinctively Damn squaw snatch She is not seen as a co-participant with the men overseeing the birth. Instead, she is merely an object they are operating on, a bitch soon to whelp her pup, so to speak. The canvas control of the father and doctor as rational man (DeFalco 30), a carefully constructed pose, stands in contrast to the young womans inarticulate helplessness in childbirth. The likening of the docto... ...on to leave behind his hometown with its plethora of beauties underscores his view of young women as inconsequential objects of pleasure. *Paragraph Break*Both Indian Camp and Soldiers Home place young women in a secondary, objectified r ole. Hemingway takes this approach to focus help on the psyches of his male protagonists, self-obsessed in their youth or war-weariness. It may not endear the author to feminist readers, but it does make for some sinewy short fiction.Bibliography1.DeFalco, Joseph. The Hero in Hemingways utterly Stories. University of Pittsburgh Press, 1963.2.Flora, Joseph M. Ernest Hemingway A Study of the Short Fiction. G.K. Hall & Co., 1989.3.Westbrook, Max. Grace under Pressure Hemingway and the Summer of 1920. Ernest Hemingway The Writer in Context. Ed. James Nagel. University of Wisconsin Press, 1984.